Artist’s Statement
Images are like a beautiful day in color, rare color.
Without constraints, without desire, without authority, simply revolutionary.
Bahaiden lives and works in Mannheim. He studied at the Faculty of Philosophy, University of Heidelberg European art history.
He takes part in various group since 1985 exhibitions in different countries. In Turkey, Germany, Sweden, Denmark, Spain, Japan, USA,
Bulgaria, Hungary, Ukraine, Italian, Moldova, France and Switzerland
Internationaler Artist der UNESCO
1990 Price in Graphic Art
2010 Founded Avesta art Award member
2013 Art Award Egypt
2014 Art Award Doha
2014 Art Award Egypt
2014 Art Award Kurdistan / Irak
2015 Art Award Morocco
2016 Art Award Muskat / Oman
Catalog and Publication
2002 catalog for Cultural Affairs City of Mannheim.
2007 catalog University of Heidelberg.
2009 Catalogue Raumgestalltung city of Ludwigshafen.
2010 Foundation Avesta Art Prize.
2012 catalog University of Mannheim
2014 Catalog Nations in peace city of Mannheim.
2015 Catalog Avesta Casa del Arte, Mannheim.
In the artist Bahaiden shows a reorientation to expansive paintings. The new images are different from his previous work by its unusual format in sizes 1 x 5 meters. However, he remains faithful to the abstraction with which he expresses his subjective feelings. The size of the images - it must already be spoken of tracks - enable and require the full and complete introduction of the artist in his creative process. Here is collected at the top of the painting process postulate of artistic realization. During active times, the gesture itself is expressive and without deeper meaning, the process of painting is the specific topic. Character and temperament of the artist, his despair and his positive attitude in these pictures come very directly and without detours distracting motives expressed. This is clearly seen in the images of cars Bahaiden. He will illustrate his feelings, but express, not in vague techniques, but spontaneously and immediately. Bahaidens images of converging random and certain configurations of shapes together, are not projections, but manifestations of life.
The colors of the images paths are versatile, powerful and balanced. They give the paintings a vibrant, emotionally charged vitality. The formations in the colors are subject to the random incidence of the artist, but complement each other in a virtuous manner. Dark areas are offset by bright colors, in order to finally merge in a harmonious atmosphere. They reflect the rhythm again, but also the increasing virtuosity with which they play a dynamic direction that goes beyond the borders of the canvas. The contrasting colors give the image of Railways Bahaiden their powerful expression as well as the sensitivity of the painter and his strong sense of the cultural colors. Painting is here to live a kind.
The myriad of colors and their interlocking game resembles the variety of words. They form on the same way and a density that requires space and expansion.
After talking to the room. Require the same sounds as colors, the size and extent, to come into their fullness to full potential, one needs also man the freedom of speech. He needs the structure of society, which granted him a full development. A cry for humanity, in this time become so inhuman. Only the renaissance of morality and tolerance makes him find his dignity.
Dr. Phil Benno Lehmann
Art historian, University of Heidelberg
Without constraints, without desire, without authority, simply revolutionary.
Bahaiden lives and works in Mannheim. He studied at the Faculty of Philosophy, University of Heidelberg European art history.
He takes part in various group since 1985 exhibitions in different countries. In Turkey, Germany, Sweden, Denmark, Spain, Japan, USA,
Bulgaria, Hungary, Ukraine, Italian, Moldova, France and Switzerland
Internationaler Artist der UNESCO
1990 Price in Graphic Art
2010 Founded Avesta art Award member
2013 Art Award Egypt
2014 Art Award Doha
2014 Art Award Egypt
2014 Art Award Kurdistan / Irak
2015 Art Award Morocco
2016 Art Award Muskat / Oman
Catalog and Publication
2002 catalog for Cultural Affairs City of Mannheim.
2007 catalog University of Heidelberg.
2009 Catalogue Raumgestalltung city of Ludwigshafen.
2010 Foundation Avesta Art Prize.
2012 catalog University of Mannheim
2014 Catalog Nations in peace city of Mannheim.
2015 Catalog Avesta Casa del Arte, Mannheim.
In the artist Bahaiden shows a reorientation to expansive paintings. The new images are different from his previous work by its unusual format in sizes 1 x 5 meters. However, he remains faithful to the abstraction with which he expresses his subjective feelings. The size of the images - it must already be spoken of tracks - enable and require the full and complete introduction of the artist in his creative process. Here is collected at the top of the painting process postulate of artistic realization. During active times, the gesture itself is expressive and without deeper meaning, the process of painting is the specific topic. Character and temperament of the artist, his despair and his positive attitude in these pictures come very directly and without detours distracting motives expressed. This is clearly seen in the images of cars Bahaiden. He will illustrate his feelings, but express, not in vague techniques, but spontaneously and immediately. Bahaidens images of converging random and certain configurations of shapes together, are not projections, but manifestations of life.
The colors of the images paths are versatile, powerful and balanced. They give the paintings a vibrant, emotionally charged vitality. The formations in the colors are subject to the random incidence of the artist, but complement each other in a virtuous manner. Dark areas are offset by bright colors, in order to finally merge in a harmonious atmosphere. They reflect the rhythm again, but also the increasing virtuosity with which they play a dynamic direction that goes beyond the borders of the canvas. The contrasting colors give the image of Railways Bahaiden their powerful expression as well as the sensitivity of the painter and his strong sense of the cultural colors. Painting is here to live a kind.
The myriad of colors and their interlocking game resembles the variety of words. They form on the same way and a density that requires space and expansion.
After talking to the room. Require the same sounds as colors, the size and extent, to come into their fullness to full potential, one needs also man the freedom of speech. He needs the structure of society, which granted him a full development. A cry for humanity, in this time become so inhuman. Only the renaissance of morality and tolerance makes him find his dignity.
Dr. Phil Benno Lehmann
Art historian, University of Heidelberg
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